Foam Layers Technique Birds

To create my sculptures I started by coating the solid side of the foam stamp with a layer of acrylic paint and then stamping it on a piece of cardboard. I repeated this three times since I knew I was going to make three birds. (If you’re using a rubber stamp, make sure to stamp with ink or if you use paint, to clean it off immediately so that it doesn’t dry on the rubber and clog the detail areas of the stamp.)

 

 

 

 

 

I cut out my three bird shapes and then used them as a pattern to build out the armature with more cardboard. To do that I traced the original stamped image on another piece of cardboard then drew a smaller outline about 1/4″ in from the edge. I cut out two of that piece and continued to trace and reduce (cutting two each time) until I had as many pieces as I wanted. After I’d cut out all of my pieces, I glued each layer in place – I used Weldbond, but any white glue should work fine. Keep in mind that the cardboard will compress as you add the final surface, so the sculpture will be thinner than it looks when you first create the armature. I decided to keep these birds quite thin, so I only added two extra layers on either side of the base.

You can also see where I drew and cut out wing shapes since I was taking the 2D image and making it 3D and I wanted my sculptures to have wings.

I didn’t get a photo of the next step, but after the armature was complete I wrapped the cardboard bird with masking tape, then coated the whole thing with a light-weight epoxy clay. (If you use an epoxy clay, you’ll want to measure and mix the two parts according to the instructions. It’s usually 50/50 of the two parts. You could also use paper clay and allow for drying time as noted below.) I like to keep the clay to about 1/8″ thickness – I use water to thin and smooth it as I apply. For larger pieces, you’ll want to work in batches so that the clay doesn’t start to cure or dry before you’ve got it the way you want it.

 

 

 

 

 

 

 

This step does take some time – I‘ve learned through experience that the best way to do it without making a huge mess is to coat one side of the bird, let it cure (or dry if using paper clay) for 3+ hours until the lay is hard and no longer water soluble, then go back and do the other side of the bird and let that cure.

I knew that I wanted the birds to be able to hang when they were done so I also put a piece of wire through the middle of each bird while the clay was wet. Once the clay was completely cured and dry and hard to the touch I added a coat of gesso to prep the surface for painting.

Once the gesso was dry, it was time to paint. For each bird I took a few shades of a single color and dry-brushed it on and blended a bit, then while the paint was still wet I sprinkled on some embossing powder and melted it with my heat gun to get some shine and texture on the bird.

Next I took the cling rubber stamp from Nathalie’s foam stamp and stencil set and, using StazOn Ink, I randomly stamped just part of the image onto the bird to get some texture. (You can use any of your favorite texture or background stamps for this step.)

On this particular bird I added some Aboriginal-inspired dots with dimensional fabric paint; all three birds incorporated dots in some way, but for the orange one I made it the major design element.

Back to the wire I inserted into each bird before the clay dried… I had deliberately left the wires long on so that I could add some beads to the bottom – I tried to use beads in a contrasting color to the paint on each sculpture so that they would stand out.

To finish each bird I wrapped sari yarn or ribbon around the wire loop at the top and then tied some extras on top just for fun. Each of the birds is a bit different with its own personality. I used different colors, texture stamps, and embellishments on each one. You can click on any of the images below to see how each of them turned out: